炒股总市值是什么意思:裸体北极求介绍电影的英语小短文！！！

More reviews are appearing in major-market U.S. newspapers today (Thursday) of Disney's The Chronicles of Narnia: The Lion, the Witch and the Wardrobe, in advance of Friday's official premiere, and although most may not be so exuberantly praiseful as those that appeared Wednesday in the British press, they are nonetheless overwhelmingly positive. Roger Ebert in the Chicago Sun-Times concludes: "This is a film situated precisely on the dividing line between traditional family entertainment and the newer action-oriented family films. It is charming and scary in about equal measure, and confident for the first two acts that it can be wonderful without having to hammer us into enjoying it, or else. Then it starts hammering." Claudia Puig in USA Today remarks that Narnia is an "engaging and exciting family film that at times feels a bit like The Lord of the Rings Jr." Bob Longino in the Atlanta Journal-Constitution, writes that while Narnia may be no Rings, "it'll do. The film works on just about every level. Narnia has grandeur, imagination, mostly believable special effects, a war-of-the-world battle, heart and teary-eyed heartbreak." In the New York Daily News, Elizabeth Weitzman remarks that the movie "deserves the zillions it's bound to make: The first live-action film from Shrek director (Andrew) Adamson is a thrilling success in its own right, a generation-spanning journey that feels both comfortingly familiar and excitingly original." On the other hand, Lou Lumenick in the rival New York Post is unimpressed, writing, "This overlong, poorly paced and woodenly acted film isn't as well made as those franchises, though it probably contains enough moments of wonder to please most children -- and to insure a very handsome return on a reported investment of as much as $170 million." Michael Phillips in the Chicago Tribune calls Narnia a "disappointing inaugural effort" and goes on to say that it tells the C.S. Lewis story "in a predictable, visually cautious way. You keep waiting to be transported, yet in cinematic terms, the transportation never arrives."