幼儿园自制植物小盆栽:谁能帮我翻译下这一段谢谢

This book is designed to explain how to create great
mixes. However, the mix is only one aspect of what
makes a great recording. Other factors also contribute
to what is perceived as a quality recording and mix.
Chapter 1
"All Aspects of a Recorded Piece of Music" begins by
covering the eleven aspects of a great recording: con-
cept, melody, rhythm, harmony, lyrics, arrangement,
instrumentation, song structure, performance, qual-
ity of the equipment/recording, and the mix.
Each of these aspects must be at least of basically
good quality. If even one of them isn't, the recording
will suffer. The mix is only one of the eleven aspects,
but it is one of the most powerful because it can hide
some of the weaker aspects or highlight the magic in
the stronger aspects.
In the first chapter, we explore what the record-
ing engineer can do to help refine each of these com-
ponents. The rest of the book continues with what
can be done with only the aspect of the mix.
Chapter 2
"Visual Representations of 'Imaging' " introduces the
visual framework for representing "imaging," the
apparent placement of sounds between the speakers.
Section A shows the difference between the per-
ception of physical sound waves coming out of the
speakers and the imagined perception of imaging.
This is important because the two are sometimes con-
fused, and the visuals represent only imaging, not
physical sound waves.
Section B introduces volume, frequency, and
panning visually and then defines the boundaries of
imaging (the limited space where a mix occurs
between the speakers).
Section C explains how and why specific visuals
were chosen for each sound and effect in the studio.